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PsychoRRan Out of Reasons • Reach • Ready To Fly • Rearview Mirror • Reconcile • Recovery • Redo • Remedy • Resonate • Restart • Rewind • Right Now • Roller Coaster • Rolls Royce • Roses • RunSThe Saint • Satori • Saturday Morning Space Ride • Save You • Saving Light (Decoy! Remix) • Saving Lives • see str8 • SENSITIVE • Shadow • Shiawase • Show Me • Skin • Snakes & Ladders • SO ABSURD VIP • So Long • Solid • Someone To Forget (BUSTED by Herobust) • Souvenir • Stand Off • Starlight • Starship • State of Wonder • Stay (PhaseOne Remix) • Stay (Wooli Remix) • Still • Stole Ur Girl Pt. 2 • Summer • Sundaze • Sunscreen (Bishu Remix) • Sunshine • Superhuman • Synchronize VIPTTake Me Away • Talk! • Talk About It • Talk About It (Virtual Riot Remix) • Tattoo • Tell Me • They Just Haven't Seen It • Thinking Bout You • Time • Together (Deon Custom) • Together (Pegboard Nerds & More Plastic) • Triumph • Trust Issues • The Truth • Tumbling Down • Tunnel Vision • TwilightUUnfold • Universe • Unspoken • U&MEVVictory • Victory (Daktyl Remix) • Voice of Reason • VonkWWaiting On Your Call • Wake Up (Grant) • Wake Up (Jason Ross & Fairlane) • Wanchu Back • Warriors • Wash Away • Waterval • Way Back (Jacob Tillberg Remix) • Way Back Home • Way Up (Bishu)

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Anyone tethering with Fuji GFX and CaptureOne? : r/captureone

American Cinematographer Magazine. Issue September 202410,90 €Order your own issue of the official American Cinematographer Magazine. September 2024. The American Cinematographer is issued by the American Association of Cinematography and it full of inspiring articles about the big projects and DOPs of this wonderful world. 80 pages. ALL PRICES IN EURO INCLUDING GERMAN TAX. TOTAL PRICE MAY DIFFER IN EU STATES BY THEIR RESPECTIVE VAT RATE. SHIPPING NOT INCLUDED. NEGATIVE RETURN BOOKABLE AFTER SCANNING FOR 4.90 EUR. APOLLON.14K NEXT-GEN MOTION PICTURE SCANSNOW FOR YOUR PHOTOS, TOO. Every bitof grain. A 150 MP PHASEONE® sensor array captures the digital reproduction of your analog film image. All coloursof analog. Preserving the classic beauty and subtlety of analog film within a modern, ultra-wide colour standard was the goal behind the brand-new APOLLON.14K colour science. Personalgallery. Your scans will always arrive in a smart and polished web gallery. View, rate, print a contact sheet or simply download your 4K HIGH QUALITY images. LOSSYFORMATlOSSLESSFORMATCOLORSPACEIMAGERESOLUTIONPANORAMASUPPORT (XPAN)WEBDOWNLOADADOBE RGBCOLOUR SPACEIMAGEHOSTING HIGH QUALITY JPG 4K | 3 MB–8 BIT4000 x 2500YESVIAGALLERYYES1 MONTHIncluded with lab service voucher FULL QUALITY JPG 14K | 30 MBJP2 14K | 90 MB16 BIT14200 x 8900YESVIADROPBOXYES3 MONTHS10 EUR( for 4 films ) KODAK VISION3 MOTION PICTURE FILM IS AN EASTMAN KODAK TRADEMARK. SILBERSALZ35 IS MADE WITH FRESH, UNALTERED KODAK VISION3 MOTION PICTURE FILM ONLY.SILBERSALZ.LAB IS CLOSELY FOLLOWING EASTMAN COLOUR NEGATIVE PROCESSING VERSION 2 STANDARDS. WE USE ORIGINAL KODAK ECN-2 CHEMISTRY ONLY AND ARE PROUD MEMBER OF THE KODAK GLOBAL INTER-LABORATORY SURVEY PROGRAM.

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Digital media tools for both amateurs and professionals alike. Renowned for standout products like FotoMagico, mimoLive, and the groundbreaking iStopMotion, Boinx has consistently pushed the boundaries of multimedia creation. These tools, among others in their portfolio, have revolutionized how users create, edit, and share multimedia content. Positioned uniquely at the intersection of creativity and technology, Boinx Software remains unwavering in its commitment to empowering its global community, ensuring they can express and share their unique visions with precision and flair.About CYMECYME has developed Peakto and Avalanche in response to the needs and wants of photographers worldwide. Founded by serial entrepreneurs Claudia Zimmer, Matthieu Kopp and Thomas Ribreau, CYME’s mission is to deploy innovative features that will both serve the photography community and help protect our planet. CYME works continuously to enrich our software with solutions to save our best photos, in good quality and without duplication; to encourage digital sobriety by keeping only our best images; and to facilitate the sharing of our best images and memories. Press Contact CYMEClaudia Zimmer (c.zimmer@cyme.io)Allison Reber (a.reber@cyme.io)Press Contact BoinxOliver Breidenbach (oliver@boinx.com)Steffen Skopp (steffen@boinx.com)All Material and Software (C) Copyright 2023 CYME and BOINX Software. All Rights Reserved. Apple, the Apple logo, Aperture Macintosh Mac OS X and macOS are registered trademarks of Apple Inc. in the U.S. and/or other countries. Lightroom is a registered trademark of Adobe, Luminar is a registered trademark of Skylum, Google Photos is a registered trademark of Alphabet and Capture One is a registered trademark of CaptureOne. Other trademarks and registered trademarks may be the property of their respective owners.

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Translating their emotions onto digital characters seamlessly.Real-time Rendering: Another exciting development is real-time rendering through performance capture. This technology allows filmmakers to see how an actor’s performance will look in the film immediately, without waiting for post-production. By leveraging sophisticated algorithms, real-time rendering provides immediate feedback, enhancing the ability to fine-tune performances on set.Improvements: These advancements mean that characters like Neytiri and Jake Sully appear more lifelike, with their digital avatars conveying a wider range of emotions. The technology also supports increased interaction with digital and physical environments, bridging the gap between human actors and their virtual surroundings.Mastering Underwater Motion CaptureOne of the most revolutionary advancements in “Avatar: The Way of Water” is its underwater motion capture technology. Traditional motion capture methods were not suitable for underwater scenes, presenting unique challenges that required innovative solutions.Custom Underwater Motion Capture Volumes: The film’s team developed bespoke underwater motion capture volumes. These volumes enabled the precise capture of actors’ movements underwater, crucial for scenes depicting the breathtaking underwater world of Pandora. Cameron’s innovation allowed actors to perform complex movements authentically, whether swimming or interacting with virtual aquatic creatures.Challenges and Solutions: Filming underwater is fraught with difficulties, such as light refraction and buoyancy, which distort motion capture data. Cameron overcame these by adapting motion capture cameras to function underwater using near-ultraviolet wavelengths. This approach captured data with minimal distortion, ensuring accurate translation of actors’ performances.Enhanced Visual Integration: The use of practical effects and digital enhancement in underwater scenes harmonizes the aesthetic. This results in seamless integration of live-action and CGI elements, producing underwater environments that are both fantastical and believable. Zoe Saldana has praised Cameron’s dedication to developing these technologies, which enable actors to contribute more authentically to their roles.Revolutionizing 3D Stereoscopic FilmingThe allure of “Avatar” heavily relies on its three-dimensional experience. “Avatar: The

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AURORA HDR 2018 GIVEAWAY UPDATE AURORA HDR 2018 GIVEAWAY UPGRADE AURORA HDR 2018 GIVEAWAY FULL AURORA HDR 2018 GIVEAWAY CODE AURORA HDR 2018 GIVEAWAY PLUS New users can purchase Aurora HDR 2018 1.2.0 for $99 ($89 with your coupon code).Ī collection of bonuses will also be included with every purchase.īonuses included in the offer ($148 value):ġ19 Dramatic & Romantic Sky overlays ($29 value) – The ultimate collection of 119 dramatic high-res sky overlays to turn photos with boring skies into eye-catching works of art.Ĭomplete HDR Tutorial by Trey Ratcliff ($99 value) – This entirely new HDR tutorial is perfect for beginners to mega-advanced professionals who want to see all of the latest post-processing techniques. Improved stability of Dodge & Burn filterĬurrent users of Aurora HDR may upgrade for $59 ($49 with your coupon code). Performance boost when editing and adjusting Performance boost when editing and opening single filesīetter brackets sorting during Batch processing AURORA HDR 2018 GIVEAWAY FULL Here’s a full list of the new features and improvements: Windows users will receive a flip/rotate tool, bringing Aurora HDR for Windows more in line with its macOS counterpart.Īurora HDR now supports more cameras than before. The full list across both Windows and MacOS includes: Canon EOS 3000D / Rebel T100 / 4000D, FujiFilm X-H1, FujiFilm X-A20, FujiFilm X-A5, FujiFilm X-E3, Olympus E-PL9, Panasonic DC-GF10 / Panasonic DC-GF90, Panasonic DC-GX9 / DC-GX7MK3, Panasonic DC-TZ200 / DC-ZS200 / DC-TZ202 / DC-TZ220 / DC-ZS220 / DC-TX2, PhaseOne IQ3 100MP Trichromatic, Sony A7 III. Windows version catches up to Mac version. Aurora HDR 2018 1.2.0 is also optimized to make better use of memory, with more intelligent memory management and improved stability. Aurora HDR 2018 1.2.0 will allow Windows users to edit a large number of photos simultaneously.īetter memory management. Now, users can quickly process photos in Aurora HDR using physical dials, knobs, and keys.īatch processing (for Windows). With an improved image processing engine, Aurora HDR is now much faster when opening single files. We’ve dramatically increased performance across all areas of Aurora HDR 2018 1.2.0 on Windows and Mac.įast single-file opening. WHAT’S NEW AND

Upgrading from CaptureOne Pro 22 ( Mac Ventura) to a CaptureOne Pro

Access to all exhibitors, stages and theatres is included with your entry ticket / pass. 250+ of the best brands! We offered the UK's biggest collection of photography and video brands in one place, featuring the likes of Canon, Fujifilm, Nikon, Adobe, Sony and more. Visitors tried the latest kit, got advice on the best gear and shopped exclusive show offers! Top speaker line-up The 2025 speaker line-up was a good one! Masters of photography, film and content creation took to the stage to share tips across a variety of genres, from landscape photography to creating an identity on social media. CreatorCon returned! CreatorCon brought non-stop action to the show; including top creators and influencers as guests and our immersive Creator Playground! If visitors loved creating and sharing content, they'd head here to snap some fun pics. Photo Live The hugely popular Photo Live Stage features live shoots and demos which dive into composition, lighting, creativity and a host of crucial elements of capturing stills. Behind the Lens Telling the stories behind the pictures, this programme, sponsored by Hahnemühle, offers a selection of project and technique-based talks, plus interviews and panel discussions to make you think big. Editing & Post-Production The Editing and Post-Production Suite does what it says on the tin; improve your skills on Photoshop, Lightroom, CaptureOne and more, whether you're just starting in editing or a workflow extraordinaire. All Things Analogue An area where you'll find everything analogue, with talks focused on experimenting with processing and creating mixed media using analogue kit, plus exciting new analogue demos... watch this space! In Motion Studio A theatre for all things moving image, offering insight into producing engaging content, storytelling, getting great quality sound and above all, using different video and filmmaking techniques. NEW: Fundamentals Stage Bite sized introductory sessions. For Windows users, go to C: Users User_Name AppData Local CaptureOne ImageCore (version 20.0.0 and later) or C: Users ProgramData PhaseOne CaptureOne ImageCore (version

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Upgrading from CaptureOne Pro 22 ( Mac Ventura) to a CaptureOne Pro 23

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To dark or lacking contrast, when compared to the image on the monitor, is that the monitor is too bright.See for example (choose the video "Why are my prints too dark").For a discussion on choice of paper for different subjects, see Keith Cooper's recent post here: .-- hide signature --Simon "}"> Ken60 • Veteran Member • Posts: 3,187 Re: Printing w/ICC profile flattens image too much Hi, where do I start ......,,. folk often think that they don't need to know as much as a home printer to use a service to make their prints. Wrong ! only difference is that we send to our desktop printer and you send to the service and their printer. Often we have it easier because we work with the kit day after day and build up a far better idea. I dont know you or your knowledge level, so lets start with a list of reading , and then you can come back with questionsScreen calibrationScreen and image gamutSoft proofingContrast control with curvesBlack level compensationWhitepoint of assessing lightHow are you with that list ?-- hide signature --Gear ... what I need to get the job done , after all you don't see mechanics listing their brand of spanner as a qualification . "}"> OP Voyager46 • Forum Member • Posts: 58 Re: Printing w/ICC profile flattens image too much I’ll try to respond to both…‘I use Datacolor Spyder X for my screen calibration. My screen brightness is on the lower side (the utility measures it as well as the room brightness).Also, using CaptureOne I’ve loaded the profile from MPIX and Its selected in my output recipe. From a soft proofing standpoint, it will mirror the actual output very close which is helpful. I’ve watched quite a few videos on this process as well and it seems to work.Regarding your other areas for use and understanding. I may not be able to perfectly “define” each one, but feel very comfortable using and adjusting my images with those methods. I watch a LOT of Paul Reiffer’s live editing sessions using Capture One. It’s been phenomenal for me. Really helped me understand there are so many ways/tools to process images within their software. I feel like I can somewhat easily get my raw images (on the screen) to the exposure, color and tones I like. But as mentioned, applying the MPIX print profile has been VERY

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User5133

PsychoRRan Out of Reasons • Reach • Ready To Fly • Rearview Mirror • Reconcile • Recovery • Redo • Remedy • Resonate • Restart • Rewind • Right Now • Roller Coaster • Rolls Royce • Roses • RunSThe Saint • Satori • Saturday Morning Space Ride • Save You • Saving Light (Decoy! Remix) • Saving Lives • see str8 • SENSITIVE • Shadow • Shiawase • Show Me • Skin • Snakes & Ladders • SO ABSURD VIP • So Long • Solid • Someone To Forget (BUSTED by Herobust) • Souvenir • Stand Off • Starlight • Starship • State of Wonder • Stay (PhaseOne Remix) • Stay (Wooli Remix) • Still • Stole Ur Girl Pt. 2 • Summer • Sundaze • Sunscreen (Bishu Remix) • Sunshine • Superhuman • Synchronize VIPTTake Me Away • Talk! • Talk About It • Talk About It (Virtual Riot Remix) • Tattoo • Tell Me • They Just Haven't Seen It • Thinking Bout You • Time • Together (Deon Custom) • Together (Pegboard Nerds & More Plastic) • Triumph • Trust Issues • The Truth • Tumbling Down • Tunnel Vision • TwilightUUnfold • Universe • Unspoken • U&MEVVictory • Victory (Daktyl Remix) • Voice of Reason • VonkWWaiting On Your Call • Wake Up (Grant) • Wake Up (Jason Ross & Fairlane) • Wanchu Back • Warriors • Wash Away • Waterval • Way Back (Jacob Tillberg Remix) • Way Back Home • Way Up (Bishu)

2025-04-17
User8229

American Cinematographer Magazine. Issue September 202410,90 €Order your own issue of the official American Cinematographer Magazine. September 2024. The American Cinematographer is issued by the American Association of Cinematography and it full of inspiring articles about the big projects and DOPs of this wonderful world. 80 pages. ALL PRICES IN EURO INCLUDING GERMAN TAX. TOTAL PRICE MAY DIFFER IN EU STATES BY THEIR RESPECTIVE VAT RATE. SHIPPING NOT INCLUDED. NEGATIVE RETURN BOOKABLE AFTER SCANNING FOR 4.90 EUR. APOLLON.14K NEXT-GEN MOTION PICTURE SCANSNOW FOR YOUR PHOTOS, TOO. Every bitof grain. A 150 MP PHASEONE® sensor array captures the digital reproduction of your analog film image. All coloursof analog. Preserving the classic beauty and subtlety of analog film within a modern, ultra-wide colour standard was the goal behind the brand-new APOLLON.14K colour science. Personalgallery. Your scans will always arrive in a smart and polished web gallery. View, rate, print a contact sheet or simply download your 4K HIGH QUALITY images. LOSSYFORMATlOSSLESSFORMATCOLORSPACEIMAGERESOLUTIONPANORAMASUPPORT (XPAN)WEBDOWNLOADADOBE RGBCOLOUR SPACEIMAGEHOSTING HIGH QUALITY JPG 4K | 3 MB–8 BIT4000 x 2500YESVIAGALLERYYES1 MONTHIncluded with lab service voucher FULL QUALITY JPG 14K | 30 MBJP2 14K | 90 MB16 BIT14200 x 8900YESVIADROPBOXYES3 MONTHS10 EUR( for 4 films ) KODAK VISION3 MOTION PICTURE FILM IS AN EASTMAN KODAK TRADEMARK. SILBERSALZ35 IS MADE WITH FRESH, UNALTERED KODAK VISION3 MOTION PICTURE FILM ONLY.SILBERSALZ.LAB IS CLOSELY FOLLOWING EASTMAN COLOUR NEGATIVE PROCESSING VERSION 2 STANDARDS. WE USE ORIGINAL KODAK ECN-2 CHEMISTRY ONLY AND ARE PROUD MEMBER OF THE KODAK GLOBAL INTER-LABORATORY SURVEY PROGRAM.

2025-04-16
User6043

Digital media tools for both amateurs and professionals alike. Renowned for standout products like FotoMagico, mimoLive, and the groundbreaking iStopMotion, Boinx has consistently pushed the boundaries of multimedia creation. These tools, among others in their portfolio, have revolutionized how users create, edit, and share multimedia content. Positioned uniquely at the intersection of creativity and technology, Boinx Software remains unwavering in its commitment to empowering its global community, ensuring they can express and share their unique visions with precision and flair.About CYMECYME has developed Peakto and Avalanche in response to the needs and wants of photographers worldwide. Founded by serial entrepreneurs Claudia Zimmer, Matthieu Kopp and Thomas Ribreau, CYME’s mission is to deploy innovative features that will both serve the photography community and help protect our planet. CYME works continuously to enrich our software with solutions to save our best photos, in good quality and without duplication; to encourage digital sobriety by keeping only our best images; and to facilitate the sharing of our best images and memories. Press Contact CYMEClaudia Zimmer (c.zimmer@cyme.io)Allison Reber (a.reber@cyme.io)Press Contact BoinxOliver Breidenbach (oliver@boinx.com)Steffen Skopp (steffen@boinx.com)All Material and Software (C) Copyright 2023 CYME and BOINX Software. All Rights Reserved. Apple, the Apple logo, Aperture Macintosh Mac OS X and macOS are registered trademarks of Apple Inc. in the U.S. and/or other countries. Lightroom is a registered trademark of Adobe, Luminar is a registered trademark of Skylum, Google Photos is a registered trademark of Alphabet and Capture One is a registered trademark of CaptureOne. Other trademarks and registered trademarks may be the property of their respective owners.

2025-04-04
User9503

Translating their emotions onto digital characters seamlessly.Real-time Rendering: Another exciting development is real-time rendering through performance capture. This technology allows filmmakers to see how an actor’s performance will look in the film immediately, without waiting for post-production. By leveraging sophisticated algorithms, real-time rendering provides immediate feedback, enhancing the ability to fine-tune performances on set.Improvements: These advancements mean that characters like Neytiri and Jake Sully appear more lifelike, with their digital avatars conveying a wider range of emotions. The technology also supports increased interaction with digital and physical environments, bridging the gap between human actors and their virtual surroundings.Mastering Underwater Motion CaptureOne of the most revolutionary advancements in “Avatar: The Way of Water” is its underwater motion capture technology. Traditional motion capture methods were not suitable for underwater scenes, presenting unique challenges that required innovative solutions.Custom Underwater Motion Capture Volumes: The film’s team developed bespoke underwater motion capture volumes. These volumes enabled the precise capture of actors’ movements underwater, crucial for scenes depicting the breathtaking underwater world of Pandora. Cameron’s innovation allowed actors to perform complex movements authentically, whether swimming or interacting with virtual aquatic creatures.Challenges and Solutions: Filming underwater is fraught with difficulties, such as light refraction and buoyancy, which distort motion capture data. Cameron overcame these by adapting motion capture cameras to function underwater using near-ultraviolet wavelengths. This approach captured data with minimal distortion, ensuring accurate translation of actors’ performances.Enhanced Visual Integration: The use of practical effects and digital enhancement in underwater scenes harmonizes the aesthetic. This results in seamless integration of live-action and CGI elements, producing underwater environments that are both fantastical and believable. Zoe Saldana has praised Cameron’s dedication to developing these technologies, which enable actors to contribute more authentically to their roles.Revolutionizing 3D Stereoscopic FilmingThe allure of “Avatar” heavily relies on its three-dimensional experience. “Avatar: The

2025-04-24
User5455

Access to all exhibitors, stages and theatres is included with your entry ticket / pass. 250+ of the best brands! We offered the UK's biggest collection of photography and video brands in one place, featuring the likes of Canon, Fujifilm, Nikon, Adobe, Sony and more. Visitors tried the latest kit, got advice on the best gear and shopped exclusive show offers! Top speaker line-up The 2025 speaker line-up was a good one! Masters of photography, film and content creation took to the stage to share tips across a variety of genres, from landscape photography to creating an identity on social media. CreatorCon returned! CreatorCon brought non-stop action to the show; including top creators and influencers as guests and our immersive Creator Playground! If visitors loved creating and sharing content, they'd head here to snap some fun pics. Photo Live The hugely popular Photo Live Stage features live shoots and demos which dive into composition, lighting, creativity and a host of crucial elements of capturing stills. Behind the Lens Telling the stories behind the pictures, this programme, sponsored by Hahnemühle, offers a selection of project and technique-based talks, plus interviews and panel discussions to make you think big. Editing & Post-Production The Editing and Post-Production Suite does what it says on the tin; improve your skills on Photoshop, Lightroom, CaptureOne and more, whether you're just starting in editing or a workflow extraordinaire. All Things Analogue An area where you'll find everything analogue, with talks focused on experimenting with processing and creating mixed media using analogue kit, plus exciting new analogue demos... watch this space! In Motion Studio A theatre for all things moving image, offering insight into producing engaging content, storytelling, getting great quality sound and above all, using different video and filmmaking techniques. NEW: Fundamentals Stage Bite sized introductory sessions

2025-04-17

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